April 13, 2026

Paddington Scoops the Day

Following a remarkable night at the Olivier Awards at the Royal Albert Hall, where Paddington the Musical achieved a clean sweep, Theatretrain Artistic Director Kevin Dowsett reflects on the continued evolution of musical theatre. From innovative staging to standout performances, he explores why new productions like this are vital to the future of the West End and what their success means for audiences and aspiring performers alike.

Last night at the Olivier Awards at the Royal Albert Hall, Paddington the Musical won big-time with a total of 7 awards. 

Best actor in a musical, unusually went to two people: James Hameed plays the voice of Paddington and operates the puppetry, and Arti Shah, who, as a little person, inhabits the body of the lovable bear. 

The villains of the show, played by Tom Edden and Victoria Hamilton-Barritt, took home the awards for best supporting actor and best supporting actress in a musical.  The show’s director, Luke Sheppard, was the best director, and there were also awards for costume design and set design. You could call this a clean sweep   

It’s great to see a new musical in town, especially as the West End has so many long-running shows. I’ve nothing against those shows, but new writing often finds it hard to find a place. Musicals in particular are very expensive to mount, and producers are understandably reticent to commit their money unless they know they are going to get a return. Paddington, of course, is much loved from the original stories by Michael Bond,  written from the late 1950s to the 1970s. Then, of course, there was the animated TV series and later still the very successful feature films starring Ben Whishaw, Sally Hawkins and Hugh Bonneville. Perhaps the clincher to become the nation’s treasure when Paddington arrived at Buckingham Palace to film a segment with Her Majesty for the Queen’s Platinum Jubilee celebrations in 2022.  

Years ago, our accountants had a large Paddington bear on the mantelpiece in their Hertford offices. We discovered they also handled Michael Bond’s accounts. So, Paddington is everywhere. There is something warm and sweet, naive even, that makes people of all ages respond to him. Marmalade sandwiches strike a charming chord, and of course, he is an immigrant who has to innocently find his way around, leaving would-be nasty people in his wake.  

I love the concept of two people playing the same role every night and working as a team. At the presentation, Arti Shah, who is 4 feet high, had her excited young son at the awards. When, in her acceptance speech, she said. “Mummy is gonna keep making you proud, and I am gonna keep showing you that being different is a good thing,” she became, to my mind, a national treasure herself. Her young son was so excited by the attention that he hid under his chair.

If you want to book tickets, good luck. You’ll need to wait a while, and that’s great.

Theatretrain, a nationwide provider of weekend theatre schools for young people aged 4-18, specialises in weekly classes in acting, singing, and dancing. An emphasis is placed on learning valuable life skills such as confidence, empathy, courage, and resilience. If you know a child who loves to dance, act and sing or could do with a little confidence boost why not visit to find out what our performing arts classes can offer your child at one of our 80 locations across the UK.

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